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A Night of Global Grandeur at the International Opera Awards 2025

A solo opera singer performs in front of the Greek National Opera Chorus, standing beneath a dramatic full-moon backdrop during the 2025 International Opera Awards in Athens.

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thens became the opera world’s capital for a night on 13 November 2025, as the 12th International Opera Awards, the art form’s most prestigious accolades, “lit up” the Stavros Niarchos Hall of the Greek National Opera. Hosted by the GNO for the first time, with BBC Radio 3’s Petroc Trelawny presiding, the ceremony celebrated outstanding achievements from five continents, with finalists drawn from 25 countries. The glittering gala – live streamed worldwide – underscored opera’s enduring power to inspire audiences and transform communities across borders. Against the sleek modernist backdrop of the SNFCC cultural centre, Athens’s new opera house was transformed into a global stage for artistic excellence.

Athens Takes Center Stage

The Awards’ arrival in Athens was a point of pride for Greece’s cultural elite. Supported by a grant from the Stavros Niarchos Foundation, featuring works by national composers such as Mikis Theodorakis, Nikos Skalkottas and Giorgos Koumendakis himself. GNO Artistic Director Giorgos Koumendakis called it “a great joy for all of us… to welcome, for the first time in Greece, such a prestigious, world-class event”. Culture Minister Dr. Lina Mendoni echoed this enthusiasm, hailing the ceremony as “a testament to the institution’s growing global stature” and an affirmation of the GNO’s place among leading opera houses. On this night, Athens – the cradle of Western drama – demonstrated how classical heritage can merge with contemporary grandeur, as a glittering A-list audience gathered beneath the hall’s soaring glass and steel dome.

Honouring Opera’s Legends

Central to the evening was a reverence for tradition and superlative artistry. Legendary Greek mezzo-soprano Agnes Baltsa was the emotional centrepiece, receiving the Lifetime Achievement Award to a standing ovation.

Agnes Baltsa stands on stage holding her Lifetime Achievement Award at the 2025 International Opera Awards, raising one arm in gratitude as her name is displayed in large letters behind her.
Courtesy of GNO Simopoulos

Baltsa’s five-decade career – from her iconic Carmen at the Vienna State Opera to performances at La Scala, the Metropolitan Opera and Salzburg Festival – embodies the tradition of excellence celebrated by the Awards. “I thank the International Opera Awards for this honour. I am grateful for everything that life has given me,” she said, movingly accepting the accolade. Baltsa’s tribute was a moment of Greek pride and operatic heritage that set a tone of dignity and inspiration for the night.

A Tapestry of Global Talent

The ceremony was equally a showcase of contemporary talent from around the world. Performances by GNO’s own stars highlighted Athens’s role as host: under conductor Konstantinos Terzakis, soloists Dimitri Platanias, Vassiliki Karayanni, Yannis Christopoulos and Maria Kosovitsa, together with the Opera’s chorus and ballet, delivered stirring excerpts of Greek repertoire.

Yannis Christopoulos and Vassiliki Karayanni perform in front of the Greek National Opera Chorus, standing on a dramatic stage with a vivid red backdrop painted with dark, branching tree silhouettes.
Courtesy of G.Antonoglou

Dimitri Platanias performs on a dimly lit stage beneath a large, suspended metallic sculpture draped in gold, creating a dramatic and atmospheric operatic scene.
Courtesy of G.Antonoglou

Internationally, Latvian soprano Marina Rebeka (Readers’ Award winner) and American bass-baritone Nicholas Brownlee (Male Singer Award) opened the evening with Puccini arias.

Marina Rebeka performs on stage in a shimmering white gown, standing before a row of tall mirrors framed in red, her reflections creating a dramatic and elegant visual effect.
Courtesy of Andreas Simopoulos

American bass-baritone Nicholas Brownlee performs on stage under dramatic red and gold lighting, standing before the Greek National Opera chorus illuminated in deep red tones.
Courtesy of G.Antonoglou

Brownlee – already noted for roles like Macbeth and Wotan – later “dazzled the Athens audience with a performance of Scarpia’s ‘Te Deum’ from Tosca”, sealing his acclaim. These highlights of vocal virtuosity served as a reminder that opera is a living, breathing art form.

Behind the scenes, the Awards’ founders and juries underscored the event’s global mission. Founder Harry Hyman praised the winners as “exceptional achievers… whose work exemplifies the creativity, excellence and collaborative spirit that define opera,” noting that their contributions “ensure the continued vitality of this extraordinary art form”.

Harry Hyman, founder of the International Opera Awards, speaks at a podium marked “Greek National Opera” during the 2025 ceremony, standing before a dark stage backdrop with glowing light effects.
Courtesy of G.Antonoglou

In his remarks, Koumendakis echoed this forward-looking vision, describing opera as “vibrant, evolving, thought-provoking” – even “the ultimate, refined essence of the human spirit” – and expressing hope that the event would “encourage risk-taking, innovation, knowledge, talent and devotion” in the art. Such words reinforced that the Awards are not merely a retrospective honour but a celebration of opera’s ongoing journey.

Opera’s Enduring Promise

For Athens’s high society and global culture watchers, the 2025 International Opera Awards signaled both a homecoming and a renaissance. The presence of dignitaries, philanthropists, conductors and divas in the SFCC grand hall spoke to opera’s unique status as elite art: steeped in centuries of tradition, yet continually renewed by bold new productions and rising stars. By convening luminaries like Baltsa and Brownlee side by side, the gala underscored that opera’s legacy and its future are intertwined.

In its elegance and scope, the 2025 International Opera Awards in Athens was more than a ceremony: it was a statement of confidence in high culture itself, a glittering affirmation that the art of opera remains alive, global and vital. Its echoes will no doubt resonate long after the lights go down on the Stavros Niarchos Hall.

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